![]() ![]() Like Prydz, Flume's unique production tactic has its own Reddit thread, as well as dozens of YouTube tutorials that turn you into an effective Flume copycat. Eric Prydz, for example, saw his snare sound become the "Pryda snare," which has since been a subject of countless YouTube tutorials and other forms of Ableton appropriation. It's certainly not rare in electronic music for a producer to find a style people enjoy and stick to it, nor is it it uncommon for other artists co-opt that style to their advantage. "I'm extremely sick of it, but I feel that it objectively rules." ![]() "When I think of the 'Flume sound', the only way to describe what comes to mind is several very large VVWWUUUM sounds playing a few chords, often interspersed with some big honks, over a heavy but infrequent THOOM," says Kitty, an electronic producer and songwriter based out of New York City. The style can be tricky to describe with concrete vocabulary, and those that attempt to describe it often do so phonetically. He's developed the style of his debut album-waves of bombastic synths that sound like gale force winds gusting safely outside your window-into a trademark framework that some refer to as "the Flume synth" or "Flume drop." Eventually the sound became so identifiable it warranted its own handle. In the years since, Streten has gone onto even more worldwide success, helped along the way by even more buzzy reworks and a 2016 sophomore album that spawned international hits (like THUMP's #2 track of the year, "Never Be Like You" feat. It quickly became clear that the sound was easily reproducible, and popular too. You can see it on display in its earliest form within Flume's remix of Lorde's "Tennis Court," when after a slow build up of compressed synth washes, the sounds unravel into punchy halftime drops interspersed with short vocal snippets that pop in short succession. It happens like clockwork at the climax of each of his most well known songs. As showcased on a number of high-profile remixes around that time, like his 2013 flip of Disclosure's "You and Me," many of his productions started featuring the same dizzy drop-these piercing flurries of stuttering synths and stomach-churning side-chain compression. She was very desperate and she did something that I know she regrets.But once I finally caught him live at New York's Terminal 5-where I dodged bros with their partners on their shoulders and guzzled a few $13 well drinks-I realized his success relies on a recipe. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. Some people think, never take your life, and some people find that their life isn't worth living. Life wasn't worth it for her, that was her opinion. "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother our last name was Smith. For me, I wanted to experience the heights, and the lows come along with it." "What it feels to descend from the mountain top. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. The version on Nothing's Shocking was re-recorded in 1988. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. ![]() Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Know you will, know you will, know you will You know you always draw more blood, I bleedĪnd you stashed my heart somewhere in the dark It's gonna be everything and everything, we're meant to beīut you're white rose is soaring through my tear It's gonna be everything you've ever dreamed You can tell that you were brought the same for me ![]()
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